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Kevin Wignall's “People Die”

The publisher's description for Kevin Wignall's People Die reads:

JJ is a model employee. He does his work quietly and competently, and he keeps his nose clean. But JJ's job is murder for hire, and when the kind of company he works for undergoes restructuring, people don't get fired -- they get fired upon. So for the first time in his life, JJ is not just a predator; he's the prey, and he doesn't even know why. All he knows is that the people close to him are being killed, former allies are turning against him, and the only person offering help is the best friend of one of his victims.

It's one of the golden rules -- never become involved with a target's friends or family, with the people who loved him. But JJ's running out of options, and, despite himself, he's drawn by the lure of passing through that door, from his side of death to theirs.

Sounds like a story I'd pay to see adapted for the big screen. Of course, the success of the film adaptation might depend on who played "JJ"....

Wignall shares some thoughts on that critical matter here:

Both my last book, For the Dogs, and my forthcoming book, Who is Conrad Hirst?, have been optioned for film so I know better than to even dream of them actually becoming movies, let alone who I’d like to see cast in them.

People Die, my first novel, is actually the book that’s had the most film interest over the years but it’s the one that still hasn’t been optioned, in part because of plot problems. When the director Kathryn Bigelow (Point Break, Near Dark) wanted to adapt it, nearly all of the discussions we had were about how to remove the second half of the plot.

Subsequently, a producer from Marc Platt’s (Wicked) company wanted to concentrate on the second half of the plot and remove the first section. So it was always about plotting – at no point were there ever concerns about casting.

JJ, the central character, is a thirty year old government hitman – charming, intelligent, very aware of the impact of what he’s doing but completely capable of detaching himself in the crucial moment. When he becomes a target of his own organization he has to befriend the family of one of his victims to get to the bottom of why he’s wanted dead.

Lots of names were mentioned as a potential JJ – Jude Law, Christian Bale, Brad Pitt (this was five years ago). In talks with Kathryn Bigelow’s production executive I actually said I was open to any suggestion except Tom Cruise – with some irony, when our talks collapsed, Bigelow went on to sign a deal with … Tom Cruise.

I jokingly say on my website that I don’t care if the actor is English or even a man, and I suggest that Clare Danes could play the part – this encouraged a different producer to get in touch and suggest that Ashley Judd might be ideal in the role!

Of course, five years on, most of those actors are either now too old or their careers have moved in different directions. Now there are other actors I could see in the role – James McAvoy, Jake Gyllenhaal, Ryan Gosling – and for all I know, there might be a talented twenty year old out there hoping he can option the book and wait a few years before playing it.

And the truth is, the best performances are always the least expected. Ideally, the person I’d want to play JJ is someone none of us have heard of, but who’ll be associated evermore with his role in the film of People Die. Either that, or someone who you really might not expect to play such a character … hmm, Ashley Judd suddenly doesn’t seem such a strange proposition.
Visit Kevin Wignall's website to learn about his books and stories, and check out his posts at the group blog "Contemporary Nomad."

--Marshal Zeringue
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Anthony Neil Smith's "Pyschosomatic"

Here's the lowdown on Anthony Neil Smith's debut novel, Psychosomatic:
“Because Lydia didn’t have arms or legs, she shelled out three thousand bucks to a washed up middleweight named Cap to give her ex-husband the beating of his life.”

But the beating turns to murder, and the murder into lust and desperation between Lydia and an underworld clean-up man. Meanwhile, overgrown frat boy car thieves take up cop killing as a side hobby. When these paths cross, a horror show of violence unfolds as they all slide into a hell of their own design, surrounded by the neon and noise of the casino strip on the Mississippi Gulf Coast.
Who should tell this story in a film adaptation? Here's what the author thinks about that:
Pyschosomatic as a movie? I wish.

It would have to be dirty, sweaty, like an old exploitation flick. I want the audience to leave feeling kinda sick (in a thrilling way).

So, Psy is a pulp "cartoon," for lack of a better word, that takes place on the Mississippi Gulf Coast. The movie version would have to nod to the rebuilding after Katrina (I wrote it several years before), which means an even bleaker landscape -- paradise with debris spread all over.

You've got Lydia, a woman who lost her arms and legs and now has some fake limbs sculpted to resemble Jayne Mansfield's. She's manipulating poor bottom-rung criminal Allan, way overweight and for sale to the lowest bidder. When they run afoul of Terry and Lancaster, a brains-and-brawn theiving duo, everything goes to hell. Double cross, triple cross, lust, violence, and hate. What's it really worth to stay in these relationships, no matter how shitty they are?

For director, I'd have to say either Craig Brewer (Black Snake Moan) or Rob Zombie (The Devil's Rejects) to help cover it with dirt and a sense of the absurd.

For Lydia, I'd want someone like Kate Winslet. Don't be fooled: Winslet can turn on the nasty, and she can try on an over-the-top fake accent, too. A real change of pace.

For Allan, how about Jorge Garcia from Lost (the guy who plays Hurley)? He strikes the right note, seems to me.

Then for Terry (brains) and Lancaster (brawn), respectively: Justin Timberlake (he does comedy well, even though this is some dark stuff, and I'd love to see him react when his partner goes batshit insane), and Tobey Maguire. Absolutely against type, but it could work. I'm a gambler.

That leaves a couple more to fill: young temptress Megan pops up in her old-fashioned nurse's uniform. I'd say it would fit Lindsey Lohan, finally playing down in the gutter where she belongs rather than in "family friendly" tripe. Then there's Norm, a goofy fucker and one of Lydia's old flames, who might be just right for Jon Heder (and he'd get the living shit beat out of him).

Toss in some tunes from Amy Winehouse, most of the Bloodshot Records stable, juke joint blues, and Jimmy Buffet (hey, it happens on a beach), and I'd still have complaints. But I'd have a big fat check in my pocket, too.
Learn more about Pyschosomatic and Anthony Neil Smith ... and the soundtrack for [his] (fake) movie.

Smith's other works include The Drummer and Plots With Guns.

Check out his blog, "Crimedog One," and his MySpace page.

--Marshal Zeringue
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Judith Kelman's "The First Stone"

Judith Kelman's new novel The First Stone is certainly cinema-worthy, based on the publisher's description:

He's a world-renowned, brilliant cardiac surgeon. But since Dr. Malik moved in upstairs with his family, Emma has started to wonder what kind of a man he really is. On quiet nights, home alone with her three-year-old, pregnant Emma can hear muffled thumps and screams from the apartment above and pleading words in a little girl's voice. If she reports Dr. Malik, she might put her own husband's career on the line. But the sounds from the apartment above keep haunting her, until she confides in a friend.

Soon, Malik becomes the target of an investigation. When he discovers the role Emma played in it, her life begins to unravel. And just as she is about to bring a new life into the world, she starts to fear for her own.

Here Kelman explores some ideas about the casting for a film adaptation of her novel:
At the gala premiere of The First Stone, I'll ask to be seated next to leading lady Renée Zellweger. I can easily picture her as the big screen embodiment of my protagonist, Emma Colten, a talented portrait artist, wife of a surgical resident, and mother of a rambunctious three-year-old son with a baby daughter on the way. Zellweger has the right comedic sensibility and a perfect hint of endearing self-doubt. She comes across as likable, honest, and resilient, all hallmarks of Emma as she navigates some serious emotional white water in this story of hospital politics, sexual duplicity, and the lethal danger that can be unleashed by an innocent disclosure.

Edward Norton would be perfect as Emma's husband. He has Sam Colten's distractible, sad-puppy appeal along with a hint of a simmering undercurrent that leaves you wondering whether the aw-shucks facade might be hiding something darker.

To play Mrs. Kalisher, Emma's wise octogenarian friend and neighbor, I'd wish to channel the spirit of Helen Hayes. Casting directors like to go with what's safe, but authors can claim far greater latitude, so I'd hold an open call to fill this role with a living counterpart of Ms. Hayes and to find the perfect, puckish little boy to play Sam and Emma's son Tyler.

The monsters in this piece: Sam's cold, arrogant father and Dr. Douglas Malik, the world's leading cardiovascular surgeon (who is ironically heartless) could be portrayed deftly by Jeremy Irons and Robert De Niro. Then what couldn't they play deftly? And while I'm fantasizing, why not swing for a grand slam home run?

Which reminds me. I'll have to remember to call before the opening and ask Renée what she plans to wear. If she showed up in the same dress or looked so unforgivably fabulous she made me seem like an even bigger troll by comparison, I might feel duty-bound to kill her off (loosely disguised, of course) in my next book.

And then who would I get to play the heroine in that film?
Learn more about The First Stone at the publisher's website.

Check out The First Stone at "The Page 69 Test" and "The Page 99 Test."

--Marshal Zeringue
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Libby Hellmann's "A Shot To Die For"

Libby Fischer Hellmann is the author of the award-winning amateur sleuth series featuring Chicago video producer Ellie Foreman.

Here she develops some ideas about the casting for a film adaptation of the latest volume in the series, A Shot To Die For:
I’m a former film-maker myself, and no one was more surprised when I “came back to words” and wrote four novels. But I haven’t completely given up the ghost – my protagonist, Ellie Foreman, is a documentary film producer, and she’s always producing some sort of show in each book. In fact, I’ve often thought about who might play Ellie and the other characters in the series.

A Shot To Die For is the fourth Ellie book. In it, Ellie is at a rest stop near the resort town of Lake Geneva, Wisconsin, where she’s producing a video when she witnesses what appears to be the work of a Chicago-area sniper. She does her best to stay out of the investigation, but when the victim's family prevails upon her to investigate, Ellie feels compelled to do what she can. That decision leads her into the twisted lives of Lake Geneva's gentry, as well as a relationship with one of the suspects that might be amorous — or dangerous.

I think Marisa Tomei would be a wonderful Ellie. Or Ashley Judd. Another good candidate would be Teri Hatcher. As for Jake Foreman, Ellie’s father, I’ve always seen him as Ben Kingsley. By the time they actually get around to making the movie, Dakota Fanning ought to be old enough to play Rachel, Ellie’s daughter. And her new love interest, Luke, should be played with just a touch of the sinister by Clive Owen or Daniel Craig.
Read more about Libby Hellmann's novels and short stories at her website. She also blogs at "The Outfit."

The Page 69 Test: A Shot To Die For.

--Marshal Zeringue
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Niraj Kapur's "Heaven's Delight"

Heaven's Delight is Niraj Kapur's debut novel, part of a romantic comedy trilogy.

The story, from the author:
Set in Heaven, Hell and the UK, Heaven's Delight is the story of Beth, a cynical, self-centred angel who God sends back to earth to atone for her past sins. She has six days to help bring together four couples, to learn the real values of love, friendship and honour. If she succeeds, she can return to her old life on earth. If she fails, she will be condemned to an eternity in hell.

Matters are further complicated when she falls madly in love with Chris and has to hide her true identity from him, while the devil and his demons do everything possible to keep them apart.

The opening chapter is available free of charge from www.heavensdelight.co.uk along with the first chapter of my next rom com, The Matchmakers.
So who would the author entrust to present his novel on the big screen?
When people talk about their favourite movies, The Godfather, Casablanca, Goodfellas, Star Wars, Raiders of the Lost Ark and The Shawshank Redemption, are regularly mentioned. These are sublime projects that deserve to stand the test of time. However, my favourite genre is romantic comedy and nothing beats the wit and feelgood factor of Annie Hall, Manhattan, Bringing Up Baby, When Harry Met Sally and Four Weddings and a Funeral.

Heaven's Delight is romantic comedy meet fantasy. The fantasy element was added for a number of reasons: my passion for Star Wars and The Princess Bride. The desire to create a unique project. But also because I spent many years as a screenwriter. Getting movies made in England is almost impossible, (sorry, several more blogs are required to talk about UK Movie business). Plus, the budget so the movie is huge with visceral thrills set in Heaven and Hell, as well as colourful parts of London and Ireland, that a novel being produced was more realistic.

Kate Winslet is ideal for the lead role of Clara. Clara is not your typical sweet goofy Bridget Jones lead. She's flawed, unlikeable, but at the end of the book, becomes a better person. The lead actor is down-to-earth, likeable and heroic, but does have the classic leading man looks. Mark Ruffalo, Martin Freeman (from The Office) are ideal. For the role of God, there can be only one: Sean Connery. God even speaks with a Scottish burr like Sean.

The devil. Well, we're spoilt in England for great actors who could play this role. The devil isn't just evil, he's sexual evil, so Ewan McGregor is ideal. Richard Pryor appears in heaven and would require remarkable CGI reconstruction.

In terms of directors, there are many wonderful directors like Robert Zemeckis and Ridley Scott who could direct this in their sleep. Martin Scorsese directing a romantic comedy is long overdue. However, the master genius, Steven Spielberg, will be the number one choice. Just imagine what magic he could do with this.
Visit Niraj Kapur's website and read a sample chapter from Heaven's Delight.

The Page 69 Test: Heaven's Delight.

--Marshal Zeringue
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Noria Jablonski's "Human Oddities"

Noria Jablonski, author of the story collection Human Oddities, grew up in a commune in Petaluma, California. She received her MFA in Creative Writing from the University of Massachusetts-Amherst.

Here are some ideas she had about the actors she would cast in the movie adaption of the book and, more importantly, which directors might best capture her work on screen:
I’ve only ever imagined Human Oddities: The Movie as a very far off abstract idea. I never went so far as to actually imagine actors playing the characters in my stories (except for Jack Black; after seeing the movie Jesus’ Son, it’s easy to picture Jack Black in my story about a hospital orderly).

Spike Jonze could direct a version where John Malkovich plays all the parts — from the aging conjoined twins to the drag queen on acid.

In the Wes Anderson version Angelica Huston would play both of the conjoined twins, and Owen Wilson could be the drag queen. Bill Murray would play Mad Manya, the owner of the mystic café where Owen Wilson works.

In the David Lynch version the conjoined twins would be played by Robert Blake in drag. Or Grace Zabriskie (she was Laura Palmer’s mother). Or the Log Lady. Or any combination of those three.

The other day a reader suggested that Todd Solondz would be a good fit as a director for Human Oddities. Dawn Weiner would fit right in with the oddballs and outcasts in my stories. I could definitely see Heather Matarazzo playing the daughter of the woman whose tummy tuck goes awry. Cher could play her mother.

Or, going in a different direction, Sarah Polley could be the daughter. Patricia Clarkson could be her mother.

I love what director Rose Troche did with A.M. Homes’ story collection The Safety of Objects. It’s Solondz-esque, but quieter, more graceful.

Human Oddities: The Movie is not poised to be a blockbuster. It’s definitely an independent film, an offbeat comedy/drama.
Visit Jablonski's MySpace page and learn more about Human Oddities.

The Page 69 Test: Human Oddities.

--Marshal Zeringue
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Sylvia Warsh's "Season Of Iron"

Sylvia Maultash Warsh was born in Stuttgart, Germany, and immigrated to Canada when she was four years old. Her parents were both born in Krakow and survived the Holocaust, though much of the family perished. Sylvia grew up listening to her mother's stories about how she fled from the Nazis who had overrun Poland, then how she managed to survive the brutality of the labour camps. These stories sparked an interest in history, especially of the war, that has influenced Sylvia's fiction.

Her husband, a psychiatrist, is her consultant for any medical information she requires for her physician-protagonist, Rebecca Temple.

Here Warsh develops some ideas about the casting for film adaptations of her three novels featuring Dr. Rebecca Temple:
As much as I fantasize about a movie from one of my Dr. Rebecca Temple books, the reality is that they would be very expensive to translate into film. They’re not only set in 1979 Toronto, they tend to include stories from other historical eras, particularly the 2nd World War. In my latest, Season of Iron, the book follows two stories — Rebecca in 1979, and Frederika Eisenbaum in 1930s Berlin during the Nazi era. That’s not as complicated (read expensive to produce) as my second book, Find Me Again which won an Edgar. In it, Rebecca finds an historical manuscript about Catherine the Great that sweeps back to 18th century London, Warsaw, and St. Petersburg. Not that it would be impossible to do. They filmed War and Peace, right?

I always try to have someone real in mind when I write a character. I need to hear them speak in my head. When I first thought of Rebecca in the early 1990s, I pictured Debra Winger, who made her name in sexy but substantial roles. I was more interested in substantial — though Rebecca is an attractive brunette, she’s a dedicated doctor in mourning for her late husband. In my first book, To Die in Spring, Nesha Malkevich is a damaged Holocaust survivor. I wrote about him with Dustin Hoffman in mind, a combination of Babe in Marathon Man and Ratzo Rizo in Midnight Cowboy. Okay, maybe that’s too hard to picture. Try this — a cocky middle-aged man in a black leather jacket who could’ve been an Olympic swimmer. Except that he can’t get out of his mind the picture of his family rounded up by the Nazis when he was a boy. One of the perks of books is that people in them don’t age; unfortunately actors do. Since Rebecca is in her mid-thirties and Nesha is late forties, the ship with Debra Winger and Dustin Hoffman has sailed.

I’ve thought of one way producers could save money in Find Me Again: the same actor who plays Rebecca could play Catherine the Great. That would be very interesting. Something like the The French Lieutenant’s Woman, only Rebecca is reading a manuscript about Catherine, unlike Meryl Streep who played an actor in an historical film. My wish list actor for Rebecca is Rachel Weisz. Julianna Margulies would be a possibility, though I haven’t seen her in much lately. It would be a great role for a woman. There are so few decent roles out there.

In Season of Iron, one of my characters is a Nazi doctor. I wanted to make him human so I used CiarĂ¡n Hinds as my model. Hinds is a large handsome man who is adept at playing characters with many sides. My creation came alive when I put him in the role.

My first book, To Die in Spring, would be most practical to turn into film. The scenes that flip back to an Argentinean prison, as well as World War Two, could be done on a set. And a fair bit takes place in Kensington Market, an eminently filmable area in Toronto where fruit stands vie with Chinese goods on the sidewalk in organized chaos. Kensington Market could play itself.

The book I’m working on now, (not a sequel, not even a mystery) has more possibilities for film, with its beautiful but bitchy grad student protagonist. Though it also takes place in the 1970s, it’s set a few hours north of Toronto in Midland, a small town whose main street hasn’t changed appreciably in thirty years. I say that with affection.
Visit Sylvia Warsh's website and read excerpts from all three novels.

--Marshal Zeringue
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