Linda Urbach's "Madame Bovary's Daughter"

Linda Urbach is a published author and screenwriter. Her third novel, Madame Bovary’s Daughter, addresses the question: Whatever happened to the only daughter of the scandalous Madame Bovary, literature’s greatest adulteress and worst mother?

Here she develops some ideas for the cast and director of an adaptation of Madame Bovary’s Daughter:

Before the first scene is even shot, I have to pay a visit to my bank to deposit the enormous check I’ve received for the movie rights to Madame Bovary’s Daughter. Then I have to make an appointment with my accountant to find out how I can avoid paying taxes on such a huge sum. (Unfortunately, there turns out to be no legal way.)

Then I hold auditions for the much sought after part of Berthe Bovary. If you think it’s easy choosing between Natalie Portman, Charlize Theron and Nicole Kidman you’re crazy. As it turns out, I don’t have to choose, I cast all three actresses in different roles. Nicole Kidman plays Madame Bovary, Charlize Theron plays Helene and Natalie Portman plays the lead. Now for the director. I want Sofia Coppola. I have to get my agent to call her agent but they had a huge row some years ago and refuse to talk to each other.

My agent suggests alternatives. What about Miranda July? Her new movie has gotten great reviews. No, I want Sofia. She understands the history of French fashion better than any other director any Hollywood. So I will just call her directly. First I have to get her number. Does anyone have Sofia Coppola’s cell phone number?

Learn more about the book and author at Linda Urbach's website and blog.

Writers Read: Linda Urbach.

The Page 69 Test: Madame Bovary's Daughter.

--Marshal Zeringue

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Brandi Lynn Ryder's "In Malice, Quite Close"

Brandi Lynn Ryder lives in the heart of Napa Valley.

In Malice, Quite Close, her first novel, is now out from Viking.

Here she explains why it's difficult for her to cast an adaptation of the novel:

So, who would you cast in the movie? Oddly enough, this is probably the question I’m asked more than any other. Perhaps, it’s not that odd… We are a visual culture, after all. Like everyone, I love the movies (though I tend to favor films made long before I was born), and I’m great at casting other people’s books. Why is it that I find it impossible to cast my own?

It’s not that I don’t think it would make a great movie: art, obsession and murder are the fodder of my favorite films. And I even think of writing in a very visual way, as painting with words... I see scenes play out before me like theater: my characters walk and talk in finely detailed rooms; I see the views through their windows, hear their voices in my head, smell their perfume and cologne and what they’re having for dinner. My job, as I see it, is just to type as fast as I can once they do something interesting!

But the truth is, I don’t see Johnny Depp or Julia Roberts (as wonderful as they are), or even my beloved Jeremy Irons or Jonathan Rhys Meyers (though these are closer) in these scenes, I see the characters themselves. One of the early options for cover art had a young woman pictured on the cover, and though it was artfully done, my editors and I all had the same reaction. “But that’s not Gisele!”

I find it tremendously exciting to think of readers picturing my characters as vividly as I do and, of course, very differently. Even my characters have an opinion on the subject. At one point, Tristan, who is French, likens himself to Yves Montand. (Though really, in my opinion, not so much...) With my first novel just appearing on shelves, this is one of the pleasures I anticipate most. It is, I think, the triumph of a conceptual art over others. Readers become the co-creators of an author’s world.

And the art of any great actor is to inhabit a role and make it their own. Should I be fortunate enough to see In Malice, Quite Close translated to the big screen, I am sure to find myself sitting in the audience rapt, as flesh and blood beings embody my characters and play out their stories in their own unique way. I sincerely hope I do have this pleasure, as I’ve already promised casting rights to my sister… And naturally, if I happen to bump into my Tristan Mourault or Robin Dresden on a busy street corner, I’d absolutely accost the poor soul and insist they play the role, (whether they act or not!)

And for all of this, I just hope for an understanding director and offer my apologies in advance.

Learn more about the book and author at Brandi Lynn Ryder's website.

Writers Read: Brandi Lynn Ryder.

The Page 69 Test: In Malice, Quite Close.

--Marshal Zeringue

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Declan Burke's "Absolute Zero Cool"

Declan Burke is the author of Eightball Boogie (2003) and The Big O (2007). He is the editor of Down These Green Streets: Irish Crime Writing in the 21st Century (Liberties Press, 2011), and hosts a website dedicated to Irish crime fiction called Crime Always Pays.

Here he lays out his choices for cast and director of an adaptation of his new novel, Absolute Zero Cool:

I think it’s fair to say that only George Clooney could pull off the required blend of charm, talent, good looks and mischievous star quality required to play the lead character in Absolute Zero Cool.

That’s mainly because the lead character is a writer who becomes embroiled in redrafting an abandoned novel when that story’s central character, a sociopathic hospital porter called Karlsson, demands to be rewritten in a more reader-friendly fashion so that he can escape the half-life limbo of being stuck in the literary equivalent of purgatory.

The writer, incidentally, goes unnamed throughout the novel, although it just so happens that he has previously published novels titled Eightball Boogie and The Big O, as has a certain Declan Burke.

So who should play 'Declan Burke'? George Clooney, hands down.

As for Karlsson, I think Steve Buscemi would do a fine job there, particularly as Karlsson, growing ever more desperate to escape his limbo, decides to blow up ‘his’ hospital in a bid to garner attention from commissioning editors.

Karlsson’s long-suffering girlfriend, Cassie, is a smart, funny and attractive woman who’s only real character flaw is to be attracted to a sociopath. I think Hayley Atwell would do a fine job fleshing out Cassie. But I’d hate to have to turn down Scarlett Johansson if she really, really wanted to play the part.

As for the director, I believe Clooney is the man again. I like him a lot, not least because he’s willing to mix things up: he can play the fool when he wants to, and he has great comic timing - the book is a black comedy, by the way - but he also has the chops to create serious work that has important things to say. He’s got a good eye, too.

All that said, I’d be shocked beyond words if Absolute Zero Cool was ever adapted for film. For one thing, my books tend to be dialogue-heavy, and few things kill a movie’s buzz more than characters sitting around jawing.

It’s also true that films and books represent two very different kinds of storytelling which target different parts of the brain. The book is more aimed at the internal imagination, whereas the film appeals to a more external imagination; words versus pictures, to over-simplify things. And Absolute Zero Cool is very much a book that appeals to the internal imagination, I think. I really don’t think it would translate very well to the big screen, dramatic scenes of exploding hospitals notwithstanding.

Then again, and to paraphrase William Goldman, when it comes to Hollywood and movies, no one knows anything…

Learn more about the book and author at the Crime Always Pays blog.

The Page 99 Test: The Big O.

The Page 69 Test: Absolute Zero Cool.

--Marshal Zeringue

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Ray Banks' "Beast of Burden"

Scotland's Ray Banks has been a double-glazing salesman, a croupier, a dole monkey, and a disgruntled temp. His books include The Big Blind, Saturday's Child, Sucker Punch, and No More Heroes.

Here he shares some preferences for cast and director of an adaptation of his latest novel, Beast of Burden:

Like Russel McLean, I've always thought of the Cal Innes books as more of a TV series than a movie, and given the parochial nature of the books, I have a feeling that most of the actors I'm about to mention will be unfamiliar to most people. Still, ploughing on...

Cal Innes - The "hero" of the series, a twenty-something former pill-popping private eye and a self-conscious stroke victim in Beast of Burden. Cal originally started off looking like a young Billy Bragg, but over the years the one actor who keeps coming to mind is Toby Kebbell. Kebbell's probably best known for his outstanding performance as Anthony in Shane Meadows' Dead Man's Shoes, or as Rob Gretton in Control, but he's had some reasonably high-profile Hollywood gigs, albeit in supporting roles. He'd be able to pull it off, no bother at all.

DS Donkin - The other narrator in Beast of Burden, a self-styled "maverick cop" and a laughing stock because of it. He's a drunk, a wifebeater and an all-round nasty piece of work. So I apologise in advance, because I remember casting him as Les Beale in The Big Blind too, but John Henshaw's my man for Donkin. I think the scene where Donkin takes an informant's shoes may have been inspired by something Henshaw did in a BBC series called The Cops, too.

Paulo Gray - The proprietor of the Lad's Club, a boxing club for ex-offenders. Father figure and mentor for Cal, and one of the reasons he was granted parole in the first place. So obviously he's got to be relatively handy and of an age where he's old enough to be Cal's dad. I would probably have Dean Andrews play the part, if I could. He's got a good boxer's face and, if he got rid of the Ashes to Ashes John C. Reilly look, he might look a bit hard.

“Uncle” Morris Tiernan – The local ganglord, father to Mo Tiernan, and reason Cal did two and a half years at Her Majesty’s Pleasure. If Brian Cox were a broad Manc, he’d be first choice. One of the best actors of his generation, and more than capable of quiet menace – just watch Manhunter if you don’t believe me.

Mo Tiernan – Morris’ son, an even nastier piece of work than Donkey. While he’s barely in Beast of Burden, he’s still a recurring character, and he’s based heavily on an actor from Coronation Street called Martin Hancock. When I worked the casinos in Manchester, the rumour was that Hancock was a massive pill-head. This clearly isn’t the case, but it’s a rumour that helped cement him in my mind as Mo.

As for the director, I’ll go with one of my usual suspects – Alan Clarke, Shane Meadows or perhaps even one of the guys who directed the individual Red Riding films: Julian Jarrold, James Marsh or Anand Tucker.

There, that should make it some grimy telly to remember.

Learn more about the book and author at Ray Banks' website.

The Page 69 Test: The Big Blind.

My Book, The Movie: The Big Blind.

The Page 99 Test: Saturday's Child.

--Marshal Zeringue

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Steve Brewer's "Calabama"

Steve Brewer is the author of more than 20 books, including the recent crime novels The Big Wink, Calabama and Firepower.

His first novel, Lonely Street, recently was made into a Hollywood comedy starring Robert Patrick, Jay Mohr and Joe Mantegna.

Here Brewer shares his choice for the lead in an adaptation of Calabama:

When I heard Ryan Gosling was starring in the film of James Sallis' great crime novel, Drive, I thought: "Well, hell. I wanted him for my movie."

Gosling, who was so brilliant in Stay, Blue Valentine and Lars and the Real Girl, would be perfect to play Eric Newlin, the callow slacker in my latest novel, Calabama.

Calabama is a hillbilly noir set in the wilds of far Northern California. Eric, a transplant from the Midwest, lives in the sun-baked city of Redding, where he works for his father-in-law. Eric hates his job, and his wife is shrew. He drinks too much, smokes pot, sneaks away from his responsibilities to go fishing -- anything to feel that he's not completely stuck in a rut, that his life isn't owned by others.

One night, as he's leaving a bar, a speeding Corvette flies right over Eric's head. The driver is killed, but Eric doesn't suffer a scratch. He decides this is an omen: His life is about to change. And he's correct. It goes right down the toilet. Soon, he's spiraled so far that he gets mixed up with the local crimelord, Rydell Vance, in a kidnapping scheme that's bound to go wrong.

Rydell Vance is one of my favorite creations. A fearless, treacherous villain with a two-toned mustache. I'm thinking James Brolin, with his squinty eyes, would be perfect for that role. Can you picture Brolin and Gosling, two such different physical types, facing off in a big, violent showdown? I think it would be great.

Somebody please get the message to Ryan Gosling for me. Soon as you're done with Drive, we've got a project for you. It's called Calabama.

Learn more about the book and author at Steve Brewer's blog.

My Book, The Movie: Lonely Street.

--Marshal Zeringue

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Kathleen George's "Hideout"

Kathleen George, author of police thrillers, was an Edgar finalist for best novel for The Odds. A trade edition of The Odds was released last month.

Here she develops some ideas for the cast of an adaptation of her new novel, Hideout:

I read the other morning that Tom Cruise is slated to play Lee Child’s 6’5” huge, broad, tough, military, no-nonsense hero, Jack Reacher. After I screwed my head back on, I sat sighing about the possibility of losing characters I love—I mean love—to the screen. It doesn’t happen every time. It happens often. Once they’re changed drastically, are they ever yours again?

Right now, mine are still in my head. I may be poorer, but they’re what I had in mind. Often composites of people I’ve seen or known and you can’t do that in movies.

My new book is Hideout. It features Addie Ward and she’s almost 83, beautiful, earthy, natural. She always dresses with a little dash. She’s willing to climb to her roof to repair it. She keeps a vegetable and flower garden. Dirt doesn’t scare her. Almost nothing does. Most days she has food on the stove or a cake in the oven and though she’s alone, someone might come visiting and she is ready to feed them. Addie is very American. Why do I keep seeing Vanessa Redgrave, Eileen Atkins? Oh, yes, I saw a wonderful actress in The Royal Family. Jenny Sterlin. I looked her up and she’s born in England, too. Well, that tells me something. All these actresses are charming and subtle and my Addie has a lot going on.

Is it possible to clone Aaron Paul from Breaking Bad? He could play both young desperate look-alike brothers, Ryan and Jack Rutter. They were born in England (what is it with me?). They’re pale, thin, angry, desperate.

Actually a Hollywood subagent asked me to cast my last book, The Odds. There were those flickers of interest that, well, disappear after the flicker. Talk about a tough assignment. I’d look up and cast kids to play my four children characters and one year later, they were no longer right for the roles.

But my casting of the series detectives holds. It’s (and has been) Gabriel Byrne or someone who acts like his character on In Treatment. Though I didn’t originally picture Richard Christie like Byrne, the acting is right on target. Brooding, thoughtful, charming, charismatic. For his wife Marina I thought maybe Michelle Forbes or in a stretch Anne Hathaway. She’s beautiful, dark, a diva. For Colleen Greer, Melissa George or Scarlett Johansson. Colleen is very sexy even when she’s working to put a lid on it. Also, she’s smart, tough, determined, workaholic.

I wish I had a role for Aiden Gillen. I’m admiring everything he does in The Wire and Game of Thrones. Oh, and Allison Pill. I think she’s fantastic.

Maybe I’ll write characters based on them.

Learn more about the book and author at Kathleen George's website.

The Page 69 Test: Hideout.

--Marshal Zeringue

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Colin Cotterill's "Killed at the Whim of a Hat"

Born in London, Colin Cotterill has worked as teacher in Israel, Australia, the U.S. and Japan before he started training teachers in Thailand. Cotterill and his wife live in a small fishing village on the Gulf of Siam in Southern Thailand. He’s won the Dilys and a CWA Dagger, and has been a finalist for several other awards.

Here he shares some ideas about casting the leads in an adaptation of his new novel, Killed at the Whim of a Hat:

This blog's editor always lumbers me with this MY BOOK THE MOVIE homework knowing full well I’ve exhausted all the bankable Asian actors in Hollywood. So, once again I’ll have to wait for the American version and stick a few white guys in there. Here we go:

Jimm: feisty 35 year-old Thai journalist – Salma Hayek with padding

Granddad Jah: honest traffic cop retired broke and grumpy – Tommy Lee Jones

Arny: Body-building pussy cat –

Mair: matriarch at outset of dementia – Susan Sarandon

Chompoo: effete police lieutenant – Guy Pearce

Ed the Grass Man: weed-wacking love interest – Olando Bloom

And I’d direct it myself because directors make a lot more money than novelists.

Visit Colin Cotterill's website.

The Page 69 Test: Killed at the Whim of a Hat.

--Marshal Zeringue

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