Latest product :
Recent product

Tabish Khair's "The Thing About Thugs"

Tabish Khair is an award-winning poet, journalist, critic, educator and novelist. A citizen of India, he lives in Denmark and teaches literature at Aarhus University.

Here he shares some ideas about casting a big screen adaptation of his novel, The Thing about Thugs:
The Thing About Thugs is a novel about how we construct our identities and see others, wrapped in the colours of a crime mystery located in early Victorian London. It sets out, however, to narrate the crime from the perspectives of the underclass of London – tinkers, gypsies, Indian ayahs, Asian sailors, ex-slaves. As such, it does not see crime as an intellectual game – a mystery to be solved – but as the source of disruption, threat and punishment. The real mystery in The Thing About Thugs revolves around who will pay for the crime and how. That, obviously, is all I can say without spoiling the fun.

I have been asked who I could see filling the main roles if The Thing About Thugs were turned into a film. Being brought up as much on films as on books, I cannot resist the experiment. Here is my list:

Qui Hy is an Indian ayah (nurse: many were taken to England to look after returning children and then abandoned there) married to an Irish ex-soldier-sailor. She is from Punjab, and as such quite fair. A feisty, thickset woman, she is the ‘detective’ of the novel. I could see her being played by someone like Kathy Bates, who can exude the right mix of trust, authority and latent threat.

Paddyji is Qui Hy’s natural law husband; we never learn his name. The derogatory ‘Paddy’ was what the English called him, to which Qui Hy attached the Indian honorific ‘ji’. He is an opium addict, but capable of decisive action when required. Older than Qui Hy, he needs to speak with a slight Irish accent. I would like to see Sean Connery, with stubbles and lanky hair, play Paddyji.

Amir Ali is the closest we come to a hero in this novel. He has been brought to London by Captain Meadows, who wants to write down Ali’s account of his past as a dreaded thug in India. But when the riffraff of London start being killed by someone, suspicion centres on Amir Ali. The only real option in Hollywood appears to be Dev Patel, who played in Slumdog Millionaire. He is the right age and build.

Jenny is a charwoman who falls in love with Amir, who reciprocates. She is older than Amir, independent-minded, attractive (but not supermodel-like) and strong. It is important for the story that she has long dark brown hair, which she cares for despite the nature of her work. Keira Knightly, if she could be made to look less upper class and beautiful, would be a possibility. I can also think of Gemma Arterton (Prince of Persia), provided she undergoes a similar downgrading.

Captain Meadows is older than Amir Ali, and a person who comes across better than the reader might expect to begin with. Fixed in his own ways, very serious, he grows with the narrative and learns to give people a chance. Ryan Reynolds might be able to do him justice: it would be a very different sort of role from the one he played in Green Lantern!

James May is working class and desperate to escape his origins. He is both vulnerable and devious. This would need a complex actor, who can pass for someone in his early 40s. Hugh Laurie from Pilot perhaps?

Lord Batterstone is large, blue-blooded and very sure of his opinions. He lives life by his fixed ideas of life. He can bluster. It might be fun to see Roger Moore do him, if he can put on a few kilos and manage to make himself look a bit less likeable!

Gunga is a tough older Indian lascar (sailor), who befriends Amir Ali. He has to be played by someone who can suggest vast reserves of control, perception and understanding, and I think Ben Kingsley would be perfect for the role.
Learn more about the book and author at Tabish Khair's website.

The Page 69 Test: The Thing about Thugs.

--Marshal Zeringue
{[['']]}

Suzanne Desrochers's "Bride of New France"

Suzanne Desrochers grew up in the French-Canadian village of Lafontaine on the shores of Georgian Bay, Ontario. Now based in Toronto, she is currently writing a Ph.D. thesis at King's College, London, comparing the migration of French and British women to North America in the early modern period. She has lived in Paris and Tokyo and traveled extensively throughout Asia. Her travel writing has appeared in Toronto's Now Magazine, and she has presented her history papers at academic conferences and seminars.

Here Desrochers dreamcasts an adaptation of Bride of New France, her first novel:
Bride of New France has actually been optioned for film in Canada so hopefully I will have the opportunity to see actors playing my characters soon enough!

I'm not sure who I would specifically cast, but Laure would need to be played by a young actress (like Scarlett Johansson in Lost in Translation only dark haired and preferably French). I think it should be a French/CanAm co-production to ensure authenticity in the Salpêtrière scenes in Paris, French language, etc. Again, the role of Deskaheh would be best played by an up and coming young First Nations actor (preferably Canadian). I would love to see the midwife, Madame Rouillard, played by Jodie Foster who said she will play roles of older women rather than be a "botoxed weirdo". She's tough enough to carry the role and is fluent in French. She even has a husky voice like the midwife. Heck, Jodie Foster could direct the whole thing. Except, like me, she has two kids who have eclipsed all else in her life! And she would cost a fortune!
Visit Suzanne Desrochers' webpage, and learn more about Bride of New France at the publisher's website.

--Marshal Zeringue
{[['']]}

Tracey Garvis Graves's "On the Island"

Tracey Garvis Graves lives in a suburb of Des Moines, Iowa, with her husband, two children, and hyper dog Chloe.

In On the Island, her first novel, two people stranded on an island struggle to survive—and slowly fall in love. Here the author shares some ideas for casting an adaptation of the story:
Upon hearing the news that MGM has optioned On the Island for a feature film, the first thing people often ask me is, “Do you get to help cast the movie?” Sadly, the answer is no. But that doesn’t mean I can’t have a little fun thinking about who would play my characters (and I want to be ready if for some reason MGM just happens to ask me for my opinion).

One of my friends sent me a picture of a very handsome actor. I didn’t recognize him because I don’t watch a lot of television. It turns out he’s on a show called Friday Night Lights. His name is Taylor Kitsch and I thought he’d make a perfect T.J. considering he already plays a high school student on FNL. In the name of research I watched an episode of FNL on Netflix and it pains me to say that although Taylor is absolutely swoon-worthy, I think he’s a smidge too old to play T.J. But, while I was watching that episode I came across the perfect Anna: Minka Kelly. She is absolutely adorable. She doesn’t have blue eyes but perhaps she can wear special contacts like the vampires do in the Twilight films (to be clear – the ones that make her eyes blue, not red). I am open to suggestions for the perfect T.J. He’ll have to be young enough to portray 16-17, yet still have the ability to look like he’s aging accordingly. This could be a really tricky role to cast. I also think pairing an unknown actor with an established actress (the way they did with Christopher Atkins and Brooke Shields in The Blue Lagoon) might be the way to go. One last casting suggestion: I think John Goodman would be excellent as seaplane pilot Mick. I can just see him sitting in the cockpit eating that cheeseburger.

This will be a challenging movie to make and the right director is absolutely crucial. I have a friend in the movie business and he told me the ideal director will have a distinctive creative vision that s/he can articulate up front and who will fight, yell and scream for that vision without being certifiably crazy. That sounds about right to me.
Learn more about the book and author at Tracey Garvis Graves's blog and Facebook page.

--Marshal Zeringue
{[['']]}

Stephen Miller's "The Messenger"

North Carolina born and raised, Stephen Miller is an actor on stage, film, and television as well as the author of plays, screenplays, and novels. Unforgettable moments in his acting career include swimming with Hume Cronyn, improvising for a day with Robert De Niro, carrying Bette Davis down a flight of concrete stairs, stunt-driving with Burt Reynolds, and delivering Laura Dern’s child, as well as three appearances on The X-Files.

Here he dreamcasts an adaptation of his latest novel, The Messenger:
Without spoiling anything, all through the action of The Messenger, Daria, the protagonist, thinks of herself in reference to a certain well-known Hollywood actress. So, if they made a film of The Messenger, it would be very cool to have this actor in the part. The second major character is Sam Watterman, a scientist with expertise in biological warfare. Sam Waterston is an alliterative choice, and would be just fine. I'd be happy with him. When I wrote it I often thought of Walter Matthau. I think a lot of well known character actors could inhabit Sam's shoes.
Learn more about the book and author at Stephen Miller's website.

--Marshal Zeringue
{[['']]}

David Cristofano's "The Exceptions"

David Cristofano has earned degrees in Government & Politics and Computer Science from the University of Maryland at College Park and has worked for different branches of the Federal Government for over a decade. He currently works in the Washington, D.C. area where he lives with his wife, son and daughter.

Here Cristofano shares some ideas for cast and director of an adaptation of his new novel, The Exceptions:
The movie rights to my first novel, The Girl She Used to Be, a story about a woman lost in the Federal Witness Protection Program, were sold to Mark Johnson's Gran Via Productions (The Notebook, My Sister’s Keeper) and Julie Lynn's Mockingbird Pictures (Albert Nobbs, The Jane Austen Book Club) with Laeta Kalogridis (Shutter Island, Avatar) adapting the story. Since my new novel, The Exceptions, retells the story from the point of view of the young mafioso assigned to gun her down, the discussion of who would play the lead roles in both stories has come up with great regularity in my household over the last few years.

For Melody Grace McCartney, the witness, there are some wonderful choices in the film world. The actress needs to be able to pull off feistiness, a quick wit, and -- oddly enough -- an ability to look good with increasingly shorter hair as the movie progresses. Rachel McAdams would be on my short list, as would Jessica Chastain. Others have suggested Ellen Page could pull it off, and I agree. But I think the ultimate choice, if the decision could be made today, would be to tap Carey Mulligan for the role. Her performances in An Education, Drive, and Never Let Me Go were simply outstanding.

Jonathan Bovaro, the mafioso, is a tougher slot to fill, for "mob roles" in general lean to a certain look, and indeed I had hoped a new "undiscovered" actor might be selected to play the part. That said, there are few A-listers that come to mind. James Franco has come up before, and I agree he could pull off the mafia-related scenes with ease. Matthew Goode of Leap Year fame could also do the role justice. And though he doesn't closely resemble a mafioso in any way, who wouldn't love to see Ryan Gosling pound some thug into submission and get away with the girl? But overall, my top pick would be Chris Evans. He fits the bill: taller than average (over six feet), gravelly smoker-type voice, and capable of both onscreen violence and tenderness. Best known for his role as Captain America, I much prefer his performances in Puncture, Push, Cellular, and What's Your Number?

And then there's the direction. While my favorite directors include David Fincher and Christopher Nolan -- I am a guy, after all - I'm not sure either would be spot on for directing The Exceptions. On the other hand, Andrew Niccol (you had me at Gattaca) would be a top choice, a director who knows how to encapsulate a couple on the run with the urgent intimacy that can arise, as he did so well with In Time. The ideal director would be one who could capture the emotional tension of people on the run (Luc Besson's masterwork, The Professional, comes to mind), with the beauty that can be found in the strangest, darkest places (like with Brad Silberling's direction of City of Angels).

Put those pieces together and there's a movie to be proud of!
Learn more about the book and author at David Cristofano's website.

The Page 69 Test: The Girl She Used to Be.

--Marshal Zeringue
{[['']]}

Joanna Campbell Slan's "Death of a Schoolgirl"

Joanna Campbell Slan’s first novel—Paper, Scissors, Death—was an Agatha Award finalist. It features Kiki Lowenstein, a spunky single mom who lives in St. Louis The sixth book in that series will be released Summer 2013.

Here she dreamcasts an adaptation of her latest book, Death of a Schoolgirl, the first novel in The Jane Eyre Chronicles, which features Charlotte Brontë’s classic heroine Jane Eyre as an amateur sleuth:
If they make Death of a Schoolgirl into a film, I'd love for Keira Knightley to play the part of Jane Eyre. I realize that most people would think Keira is too stunning for the part of the overlooked orphan, but when Ms. Knightley played the lead in Bend It Like Beckham, she downplayed her looks and seemed fragile. Jane Eyre is slight of build and small, with a beauty that glows from within, and I think Keira Knightley has the same radiance. See for yourself in the photo at right.

For Mr. Rochester, I'd choose Jeremy Northam. He's not classically attractive, and when he wants to, he can look rather rough. Also, he's 6'2" and Edward Rochester was a tall man. Certainly, in The Winslow Boy, Northam managed a tortured expression, a pained befuddlement that would make him a wonderful Edward Fairfax Rochester, as I think that a lot of the men who've played Edward had made him seem too violent. I think of Edward as hurting and confused.

The photo on the left shows Northam looking hopeful, a feeling that Jane brought back into his life.

For my two "new" characters, Lucy Brayton and her brother Bruce Douglas, I would choose Renée Zellweger and Owen Wilson. Ms. Zellweger can be flamboyant and dainty all at once. She has the most exquisite pout, and Lucy is a pouter par excellence. I absolutely adore Owen Wilson's nose. Since Bruce is a brawler, I think Mr. Wilson would be perfection in that role! Both actors bring a lot of energy to the screen, and that's a perfect balance to Ms. Knightley's restraint and Mr. Northam's smoldering emotions.
Learn more about the author and her work at Joanna Slan's website and blog.

Read--Coffee with a Canine: Joanna Slan & Rafferty and Victoria.

The Page 69 Test: Death of a Schoolgirl.

Writers Read: Joanna Campbell Slan.

--Marshal Zeringue
{[['']]}

F. J. Lennon's "Devil’s Gate"

F.J. Lennon is a Los-Angeles based writer of supernatural. His novels Soul Trapper and Devil’s Gate are the first two installments in a series that follows the turbulent life and times of rogue ghost hunter, Kane Pryce.

Here he dreamcasts Devil’s Gate—part ghost story, part murder mystery, part rock and roll fable. Protagonist Kane Pryce must discover why Pasadena’s Colorado Street Bridge, also known as Suicide Bridge, is haunted and what keeps tortured souls trapped there.
OK, let’s start at the top of the pyramid—Kane Pryce. A twenty-eight-year-old hard drinking, hard living, misanthropic ghost hunter and lead guitarist of a band on the verge of success. When I first wrote Soul Trapper as an iPhone audio adventure in 2008, I saw Johnny Depp in my mind as I created Kane, specifically Johnny from the movie, What’s Eating Gilbert Grape?. That was the right age, the right look. Kane was more introspective and sad then. As Soul Trapper evolved from a game into a novel series, Kane also evolved. He became someone different. He can be a jerk; he also can be charming. Sometimes he’s sober; often, he’s drunk. Vulnerable and suspicious. Lonely. Today, I’d cast Sam Worthington as Kane. Though Sam is in his mid-thirties, Kane lives life hard, so he’d look a few years older than he really is.

Eva Kells—the object of Kane’s affections and up-and-coming L.A. Times reporter is a stylish, tall blonde in her late twenties. She’s tough and beautiful—no nonsense. I could see Blake Lively bringing Eva to life.

Dr. Ned Ross—Kane’s sometimes partner in the paranormal. A brilliant Cal Tech professor and relentless know-it-all. This is a heavy man with a heavy personality. He’s annoying, but full of heart—a caustic sweetness. My choice to play Ned is John Goodman.

Babalon—the beautiful and seductive demon that Kane must discover and confront. This one is easy. I saw Angelina Jolie the entire time I was writing the character. She’s so damn intense. Frankly, I think she might really be Babalon.

Millie Barrington—a ninety-something heiress to a billion dollar fortune. She hires Kane and Ned to unlock the secrets of the Colorado Street Bridge. She’s feisty, darkly humorous, still vibrant despite her age. She needs to have a look that doesn’t reveal if she’s a good or bad person. I’d love to see Lauren Bacall play Millie.

Teresa Burrows—vulnerable mother of a recent suicide victim. Kane tumbles into an unexpected romance with her. I saw Salma Hayek in my mind when I wrote her, but Teresa doesn’t have an accent. As I’ve never seen Salma play a role without her sexy accent, I’d have to go with Claire Forlani to play the part. She has a very penetrating look on film.

Drexel—the narcissistic and astoundingly arrogant an immature lead singer of Kane’s band, Astral Fountain. He’s only in his early twenties, but has the ego and raw talent to become a rock star. I think Aaron Johnson would nail the part of Drexel.

Anna Burrows—Teenage suicide victim who helps guide Kane from the afterlife. She’s a dark, gothic smart ass. I’d choose Madeline Martin to play her. Madeline really demonstrates her acting chops on Californication.

As for a screenwriter, I’ll take that job for myself.

And the director—I’d have to pick Brett Ratner. I’m a big fan of his films.
Learn more about the book and author at F. J. Lennon's website, blog, and Facebook fan page.

--Marshal Zeringue
{[['']]}
 
Support : Creating Website | Johny Template | Mas Template
Copyright © 2011. blog baru buat - All Rights Reserved
Template Created by Creating Website Published by Mas Template
Proudly powered by Blogger