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Dean Bakopoulos's "My American Unhappiness"

Dean Bakopoulos's is the author of the novel Please Don't Come Back from the Moon, a New York Times Notable Book, and the recipient of fellowships from the National Endowment for the Arts and the Guggenheim Foundation. He is a professor in the MFA Program in Creative Writing & Environment at Iowa State University, and the former director of both the Wisconsin Book Festival and the Wisconsin Humanities Council.

Here he shares some casting suggestions for the leads in an adaptation of his new novel, My American Unhappiness:
The most difficult challenge of writing My American Unhappiness was creating a protagonist, Zeke Pappas, who has so buried his own pain with manic intellectual pursuits, that he can no longer function with any sort of steadiness. His emotional core is fried by years of bad luck and over-thinking, and the only time Zeke feels alive is when it is struggling to make a connection, often sexual, with a beautiful woman. It’s a thrill for him to feel anything authentic, and in pursuit of such a thrill he allows much of his life to spin out of control—jobs, friendships, familial relationships.

It’s a novel about a big-hearted but hard-to-like guy on the verge of a crack-up. Perhaps it’s too easy to say I’d like James Franco to play Zeke, but I’m an admirer of his performances and also of his rather manic zealousness as an artist too. He understands both the power of restraint and the excitement of post-modern pyrotechnics. He’s serious, but not afraid of playfulness as an actor and artist. It’d be a more comedic role for him, with a dark subtext, and I’d think he’d understand this character.

Zeke has four love interests in the book, including a delusional preoccupation with Sofia Coppola, but his main love interest is Minn, the only one whom he might actually stand a chance with, and she must be a happy counterpoint to Zeke’s unbalanced exuberance and moodiness. Perhaps Zooey Deschanel, whom I like a great deal, could play Minn.

The whole novel is structured in the three-act format of a screenplay, and so I think there’s something to the idea of My American Unhappiness as a film. Unlike my first novel, Please Don’t Come Back from the Moon, which has been optioned up by American Zoetrope, Universal, and Lionsgate at various stages in its shelf life, this is a novel that would be a straightforward adaptation. It is the story of delusion, both the lies we tell ourselves to make ourselves feel relevant, and about the lies our country tells itself in order to feel sustainable. And it’s funnier too.
Learn more about the book and author at Dean Bakopoulos's website and Facebook page.

--Marshal Zeringue
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Liane Moriarty's "What Alice Forgot"

Liane Moriarty is the author of three novels: Three Wishes, The Last Anniversary and most recently, What Alice Forgot (Amy Einhorn/Putnam). What Alice Forgot is the story of a woman who loses ten years of her memory. She thinks she’s 29, pregnant with her first child and blissfully in love with her husband. In fact, she’s 39, the mother of three children, and she’s in the middle of a bitter divorce. Publishers Weekly described it as "moving, well-paced and thoroughly pleasurable." Book clubs love it because it gives everyone a chance to reflect on how their lives have changed over the past decade and what their younger selves would think of the people they’ve become. Moriarty is also the author of the Nicola Berry series for children, and all her books have been published around the world. She lives in Sydney, Australia with her husband and two small children.

Moriarty, on casting the big screen adaptation of What Alice Forgot:
I have sold the movie rights to What Alice Forgot and the producers were talking about someone like Jennifer Aniston or Reese Witherspoon for the role of Alice. I also think Sandra Bullock would be wonderful. Alice is a whimsical, feminine character and she’s found herself in a completely confusing situation (losing ten years of her memory) but she’s not a fool, so the challenge would be to make her endearing and sympathetic, without making her just plain dippy and idiotic. I’d love to see someone like Toni Collette play the role of Alice’s sister Elisabeth, a woman who has had to endure years of battling infertility and miscarriages. I think she could perfectly convey this character’s fragility and brittleness, without making her too bitter. I’d cast Brad Pitt for the role of Nick. He’d be entirely unsuitable, far too good-looking, but I think we’d all learn to live with that.
Learn more about the book and author at Liane Moriarty's website.

The Page 69 Test: What Alice Forgot.

Writers Read: Liane Moriarty.

--Marshal Zeringue
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Lee Martin's "Break the Skin"

Lee Martin is the author of the Pulitzer Prize finalist The Bright Forever; a novel, Quakertown; a story collection, The Least You Need to Know; and two memoirs, From Our House and Turning Bones. He has won a fellowship from the National Endowment for the Arts, the Mary McCarthy Prize in Short Fiction, a Lawrence Foundation Award, and the Glenna Luschei Prize. He lives in Columbus, Ohio, where he directs the creative writing program at The Ohio State University.

Here he shares some suggestions for casting the lead characters in an adaptation of his new novel, Break the Skin:
It’s always fun to think about who might play whom in a movie version of one of my novels. I like to do what directors rarely do—disregard the age and look of an actor and consider instead how he or she, based on past performances, might connect with the inner lives I’ve created for my characters.

My new novel, Break the Skin, is on one level the story of a murder plot wrapped up in practical magic, but more than that it’s a story of love and how far people will go in order to feel that they matter to someone.

One of the narrators is a nineteen-year-old girl, Laney, who is boyish and sometimes timid and sometimes too forward for her own good, especially when it comes to her older friend, Delilah Dade. When the book opens, Delilah has lost her boyfriend to a woman named Rose MacAdow, and Laney, who dabbles in spells, invites Delilah to believe that Rose has placed a hex on them. The only way to stop the hex, Delilah says, is to kill Rose. Even though Delilah and Laney eventually decide the revenge plot will never work, they’ve set into motion a sequence of events that Laney, no matter how hard she tries, can’t stop. I see Laney as a combination of Hilary Swank and Ellen Page—the eagerness to please and the desire for acceptance that we see in the Hilary Swank of Boys Don’t Cry, and the sharp sweetness of Ellen Page in Juno.

Rose MacAdow is described as a big woman with a big heart, a loving woman who’s eager to protect what’s hers, a woman who believes she can control her future through spells cast for love. I had Mama Cass Eliott’s face in mind when I wrote the character, but now, when I think of Rose, I somehow imagine Liv Tyler and her combination of sweetness and grit.

Casting Delilah Dade is simple. I immediately think of Susan Sarandon and the women she’s portrayed who’ve been hurt too often by men, and who’ve developed a toughness that just barely masks their hope and desire for true love. That’s what Delilah thinks she’s found in the musician, Tweet, but then he leaves her for Rose.

Tweet is a free spirit, always following whatever riff or variation he can find in his life. I think of someone like James Franco and that “what-the-hell” smirk of so many of his characters who are about to take a step into unknown, but intriguing, territory.

A hanger-on with Tweet’s band, Lester Stipp, becomes Laney’s boyfriend. Lester is a gentle spirit who’s eager to have friends. A veteran of the Iraq War, he suffers from dissociative fugues, which cause him to occasionally forget who he is and where he lives. I think of the eccentric characters that Johnny Depp has played, particularly Sam in Benny & Joon.

During one of his fugues, Lester ends up in Texas where a tattoo artist, Betty Ruiz, known as Miss Baby, convinces him that he’s her husband. Miss Baby is the other narrator of the novel. She’s a head-strong Mexican-American woman, who’s also an incurable romantic. I think of America Ferrera from her role in Real Women Have Curves. Miss Baby and Lester fall in love. Then she finds out the police are looking for him in connection with a crime in Illinois, a crime that involves Laney. Everything is about to change forever.
Learn more about the book and author at Lee Martin's website and blog.

The Page 69 Test: Break the Skin.

--Marshal Zeringue
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Reavis Z. Wortham's "The Rock Hole"

Reavis Z. Wortham recently retired from 35 years in public education, the past 25 in the Communications Department of the Garland ISD in Texas, and the final 4 as the Director. He is now a full-time freelance writer and novelist. His first book, Doreen’s 24 HR Eat Gas Now Café, was released in 1999.

Here he shares some ideas for casting a cinematic adaptation of his new novel, The Rock Hole, the first mystery in The Red River Series:
The Rock Hole is set in rural 1964 Lamar County, Texas. A bottomland farming community, the setting is reminiscent of the classic movie, Home From the Hill, from the novel of the same name. There is not a lot of beautiful scenery, simply tree-lined rivers and fields, and many hardscrabble farms.

I had no preconceived notions about who might play these parts. The main character, Ned Parker, is based on my grandfather who was constable during that time. He isn’t your traditional svelte, good looking gumshoe, rather a time-worn, balding, pot-bellied farmer who serves his community after he gets off a tractor each day. A number of people have suggested Robert Duvall for this role, but my agent Jeanie Pantelakis at Sullivan Maxx is insistent that Ed Harris play the part. Ed’s gonna have to grow a belly first, though.

If I had anyone in mind to play the almost mythical deputy John Washington, it would be Michael Clarke Duncan. His performance in The Green Mile hung around the edges of my mind while I was writing the book, but truly the character was based on someone I knew as a child.

The ten-year-old boy and girl are wide open to interpretation. The kids in my book trailer for The Rock Hole were local children who did a great job. They should be played by up and coming youngsters who can shoulder the characteristics of sickly, but adventurous Top, and precocious, foul-mouthed Pepper.

Colin Egglesfield, Cody, the half-Choctaw Vietnam veteran who has just returned home. His chiseled features already tell the story of a man who is tormented by what he saw in the jungles just before the war truly exploded for the American people.

My youngest daughter votes for comedian Ron White to take the role of the old East Texas judge O.C. Rains. He has the hair, and the Texas accent necessary to invoke an the soft-hearted curmudgeon very easily.

Tantoo Cardinal is the perfect Miss Becky, wife of constable Ned Parker. She is of mixed Native American and European descent and true to the nature of the book. She has a wonderfully careworn face that will haunt the audience and show the true spirit of a full blood Choctaw farm wife who wants nothing more than to keep her family safe and to serve her savior.
Learn more about the book and author at Reavis Z. Wortham's website.

The Page 69 Test: The Rock Hole.

--Marshal Zeringue
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Michele Young-Stone's "The Handbook for Lightning Strike Survivors"

Michele Young-Stone's debut novel The Handbook for Lightning Strike Survivors came out last year to wide acclaim and is now available in paperback.

Here she shares some ideas for casting a big-screen adaptation of the novel:
People always ask: When your book is made into a movie, who do you want to star in it?

I have zero illusions—but lots of fantasies!!!!!! My sister used to ask if my niece could be in it as an extra. I guess… Oh, sure! What the hell…

At that time, the novel wasn’t even published. But, all that said, here is my wish list:

Becca Burke (main character—feisty redhead) Abigail Breslin with curls. She is a fantastic actress.

Buckley Pitank (next main character—victim of fate or God’s will; Biblical Job figure; wonderful boy; loves his mother more than ice cream) Someone unknown, someone like the actor from About a Boy; someone with serious talent, but hasn’t had his big break…

Abigail Pitank (Buckley’s mother): Beat down but triumphant. Katie Holmes plus one-hundred pounds.

Paddy John (Salty sailor with no filter): Jeff Bridges—absolutely and without a doubt. Definitely Jeff Bridges.

Mary Wickle Burke: (Becca’s drunken poetic abused mom) Amy Adams; she can play any age. She’s superb.

Patty-Cake: (Sexy, determined; ambitious; talented) Scarlett Johansson.

Rowan Burke: Son-of-a-bitch womanizer, chemist; Aaron Eckhart.
I want Helena Bonham Carter in the movie version, but I’m not sure who I’d want her to play. Ever since I saw her in Lady Jane, I’ve been in love with her, and unlike the fashion critics, I adore her style! I was once super Goth and I still like to retain my funk in fashion.
Read an excerpt from The Handbook for Lightning Strike Survivors, and learn more about the book and author at Michele Young-Stone's website, blog, and Facebook fan page. 

The Page 69 Test: The Handbook for Lightning Strike Survivors.

Read--Coffee with a Canine: Michele Young-Stone & Emma (May 2010) and Coffee with a Canine: Michele Young-Stone & Emma Peel and Chauncey.

--Marshal Zeringue
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Man Martin's "Paradise Dogs"

Man Martin is a writer, teacher, and founding member of the Perambulators living in Atlanta, Georgia. His debut novel, Days of the Endless Corvette, made him Georgia Author of the Year in 2008.

Here he shares his picks for the cast of an adaptation of his new novel, Paradise Dogs:
Casting a hypothetical film version of Paradise Dogs, what a fun indulgence! But it won’t have any relevance to someone who doesn’t know the plot, so in a nutshell, it’s about Adam Newman, an alcoholic entrepreneur attempting to reunite with his estranged ex-wife, recover a fortune in missing diamonds, and expose a communist conspiracy. He and his shy, nerdy son – who happens to be in love with his half-brother’s girlfriend - embark on a series of misadventures with mistaken identities, jailhouse weddings, bar fights, and secret government agents.

So now that you know that, here’s how I would cast it.

Adam Newman – Nicolas Cage or else Gary Busey. Nicolas Cage makes some of the best movies I’ve ever seen and some of the worst. This would be one of his good movies. In Leaving Las Vegas he played an alcoholic with such terrifying believability, I couldn’t get him out of my head while writing Paradise Dogs. But really Gary Busey might also the type I’d want. I couldn’t find a really recent photo of him, but I suspect by now he looks rode hard and put up wet. But he’s the type of person you might follow against your better judgment into a world of trouble. Look at his face. You’d never trust a guy like that, but he trusts himself so much.

Addison Newman – The part of Adam’s son needs to go to a relative unknown; the obvious and conventional choices, John Francis Daley and Michael Cera, are too overexposed and too long in the tooth for this project. Erik Per Sullivan – who played the youngest brother on Malcolm in the Middle might work out. I think, though, Olly Alexander would be the best choice. In the god-awful Gulliver’s Travels, he was praised for his “oddly nervous charm.” Nervous, odd, and charm: that’s what we need for Addison Newman.

Kathleen Neligan – Another crucial and difficult role to cast. Hollywood is even tougher on young actresses than on actors. Talented, young, and pretty is a recipe for getting over-hyped and over exposed; they quickly become caricatures of themselves. I don’t know her work, but Teresa Palmer looks right for the part. Pretty, but not too pretty. A believable girl-next-door who’d give you hell if you called her the girl-next-door.

Lily Manzana and Evelyn Newman, Adam Newman’s girlfriend and ex-wife – Eva Langoria would be the pick for Adam’s Cuban fiancée. Petite but strong-willed, a Cubana who would speak perfectly unaccented English, having dutifully studied “It Pays to Increase Your Word Power,” but get the idioms just wrong, always selecting the biggest and most impressive word instead of the right one. Patricia Heaton as Adam’s ex-wife, sensible and down-to-earth, but you wouldn’t be surprised to hear her wax eloquent about raising earthworms.

Walt Disney – Uncle Walt makes a cameo in the story, a perfect role for Johnny Depp who’s been overused in the Pirates franchise but I think would make a wonderfully deadpan lunatic Disney. Or maybe Nicolas Cage could play Disney… hmmm…
Visit Man Martin's website and blog.

Read--Coffee with a Canine: Man Martin and Zoe.

Writers Read: Man Martin.

--Marshal Zeringue
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Rebecca Makkai's "The Borrower"

Rebecca Makkai’s stories have been anthologized in The Best American Short Stories 2008, 2009, and 2010, and have appeared in Tin House, Ploughshares, The Threepenny Review, and on NPR’s Selected Shorts.

Here she shares some ideas about writer-director, soundtrack, and cast for an adaptation of her new novel, The Borrower:
A small part of me hopes that if The Borrower is ever turned into a movie, Charlie Kaufman will write the script and turn it into a twisted meta-film wherein both he and I are characters getting kidnapped by my protagonist.

Failing that, I’d hope for a Little Miss Sunshine aesthetic. Quirky but not cutesy. I love movies where there’s so much clutter in the background that it feels absolutely real. Little Miss Sunshine was like that, as was the underrated The Family Stone. The early part of The Borrower is set in the children’s section of a public library, and I’d hate to see a sanitized version. There should be books and puppets and germy puzzles and posters everywhere. Lucy isn’t a particularly organized or responsible librarian, either, and I think it’s been a long time since she’s taken the Lysol to the board books.

On the other hand, I’d also love a surreal, glossy, Amélie-style glow over everything. Why not?

Zooey Deschanel must play Lucy. If she does not want to play Lucy, she must somehow be forced. I’m afraid this fake-movie-producer gig has me a little high on power. I’m starting to get why Hollywood is so strange. In the unlikely event that Zooey Deschanel will not bow to my every whim, I will grudgingly accept either Claire Danes or Chloe Sevigny.

I can’t tell you who should play Ian, the ten-year-old boy whose evangelical parents fear he is gay, because realistically any movie of my book wouldn’t get made until five or six years from now, so this kid would have to be currently four years old. But if we could somehow reverse-age Chris Colfer (Kurt on Glee), the timing would be just about perfect. I’m sure that can be arranged.

I realize movies have different rules than books, and any responsible screenplay writer would quickly smash some of my male characters together. Two of them, Tim and Glenn, are about the same age. Okay, so we name him Glim or Ten or something, and instead of a helpful gay neighbor and a sleazy straight musician love interest, he becomes the helpful love interest. I’m okay with that. Jason Segel is hereby cast as Glim.

Lucy’s father is in the Russian mafia, and this presents a problem. Do you go with someone intimidating, or someone Russian? I can’t think of any scary Russian actors. Is it better to have Robert De Niro fake an accent, or Mikhail Baryshnikov try to look sketchy? Baryshnikov did a surprisingly fabulous job in Sex and the City, so the job is his.

I think I’d care most about the soundtrack, though. When I feel manipulated by a movie, it’s usually because a whiny string section is insisting that I feel moved. I love movies with real songs, ones you might have heard before but aren’t sick of yet, ones that fit the scene because in real life yes, we do have music playing. What we don’t have are random violin bursts emphasizing our every move. Of course Wes Anderson does the best soundtracks in the world, so he’s welcome to sign on for just that part.

Oh, and an original Rufus Wainwright song as the credits roll. Is that too much to ask?
Learn more about the author and her work at Rebecca Makkai's website.

Writers Read: Rebecca Makkai (August 2009).

--Marshal Zeringue
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